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Although we are specialized in the data intensive RED R3D post production workflow, we can handle most digital acquisition and tape based formats in the industry and can provide the complete package of transcoding, editing and colour correction under one roof.
Once we’ve conformed your project, wherever possible we prefer to grade using the raw files when it comes to RED R3D.
Performing colour correction on the raw files allows for a huge amount of flexibility and control over the colours and exposures, with absolutely no generational quality loss.
Grading from raw is the only guaranteed workflow for optimum quality.